Remembering Nanda on her 78th birth anniversary.

Nanda (8 January 1939–25 March 2014) was an actress who appeared in Hindi and Marathi films. She was best known for her performances in films like Ittefaq, Joru Ka Ghulam, Neend Hamare Khwab Tumhare, Kanoon, Pati Patni, Gumnaam, Akashdeep, Bedaag and Raja Saab.

Nanda’s paternal uncle, the renowned film producer -director V. Shantaram gave Nanda a big break by casting her in a successful brother-sister saga Toofan Aur Diya (1956).It was the saga of an orphaned brother and sister pair that is buffeted by a series of tragic setbacks, including the girl losing her sight. She received her first Filmfare Award nomination as Best Supporting Actress for Bhabhi (1957); she claims that the reason she didn’t win was because there was lobbying involved. She played supporting roles to stars like Dev Anand in Kala Bazar, and played second lead in Dhool Ka Phool.

She played the title role in L.V. Prasad’s Chhoti Bahen (1959). The movie was a big hit, making her a star. In this commercially successful 1959 film, Nanda played the blind younger sister looked after by two elder brothers, played by Balraj Sahni and Rehman. She then played lead roles, such as one of Dev Anand’s heroines in Hum Dono (1961) and Teen Deviyan. Both films were acclaimed as “hits”. She was the heroine in B R Chopra’s Kanoon (1960), a film with no songs, which was then rare.

She won the Filmfare Best Supporting Actress Award for Anchal (1960).She was paired with Raj Kapoor in Aashiq(1962) and she worked with Rajendra Kumar in 3 films — Toofan Aur Diya(1956), Dhool Ka Phool(1961), Kanoon(1960). In one of her interviews she said she avoided films with Shammi Kapoor because of his “wild” reputation from 1959–72, but later did accept work with him in Prem Rog in 1982.She had quoted in one of here interviews “Many of my great performances were in films that failed or did average business, like ‘Usne Kaha Tha’, ‘Char Diwari’, ‘Nartaki’, and Aaj Aur Kal.” She was the second highest paid Hindi actress along with Nutan from 1960–65, and the second highest paid Hindi actress between 1966–69 along-with Nutan and Waheeda, and the third highest paid Hindi actress, along-with Sadhana, from 1970–73.

Nanda was known to encourage newcomers. She signed 8 films with Shashi Kapoor at a time when he was yet to become successful in Hindi Cinema. Their first 2 films as a pair — the critically acclaimed romantic film Char Diwari (1961) and “Mehndi Lagi Mere Haath” (1962) — did not work but the rest were successful at the box office. Shashi, who though had achieved success in English films in 1963 and in 2 Hindi films in 1965, had 5 flops as solo lead hero from his debut in 1961 till 1965 in Hindi films. In Jab Jab Phool Khile (1965), Nanda played a westernised role for the first time and it helped her image. Her favorite song that was famously picturized on her in the film was “Yeh Samaa.” Shashi would later declare that Nanda was his favorite heroine. Nanda, too, declared Kapoor as her favourite hero. In the period 1965–1970, the successful films of the pair Shashi-Nanda include Mohabbat Isko Kahete Hain (1965), Jab Jab Phool Khile (1965), Neend Hamari Khwab Tumhare (1966), Raja Saab (1969) and Rootha Na Karo (1970). In the early 1970s, Nanda suggested Rajendra Kumar, co-producer of The Train, to take Rajesh Khanna as the main lead.

She had another hit film in 1965 with Gumnaam, which helped put her in the top league of heroines. With Dharmendra, she worked in Mera Kasoor Kya Hai and Akashdeep. She played lead heroine roles beginning with Choti Bhehan and Kanoon from 1959–60 and continued to get roles as the main female lead till 1973.She signed with new leading man Rajesh Khanna in the songless suspense thriller Ittefaq (1969) for which she received a Filmfare nomination as Best Actress and which became successful at the box office. After Khanna became a super-star, he signed two more films with her: the thriller The Train (1970) and a comedy Joroo Ka Ghulam (1972) which became hits. Jeetendra, too, had some hit films with her like Parivar, Dharti Kahe Pukar Ke; with Sanjay Khan, she had a hit in Beti and Abhilasha, but offers dried up from 1973 as her pairing with other younger actors like Navin Nischol, Vinod Mehra, Deb Mukerji and Parikshat Sahni did not work. The 3 films Ittefaq, The Train and Joru Ka Ghulam — earned more than her earlier hits opposite Shashi Kapoor, Rajendra Kumar, Dev Anand, Sanjeev Kumar and Jeetendra.

After a small role in Manoj Kumar’s Shor (1972), Nanda did few more critically acclaimed films such as Chhalia (1973), Naya Nasha (1974), which flopped and she then stopped acting. In 1982, she came back with three successful films, all coincidentally having her play Padmini Kolhapure’s mother in Ahista Ahista, Mazdoor and Raj Kapoor’s Prem Rog. Then she permanently retired.

Nanda, who has done some unforgettable work in Bollywood and has given films like like ‘Dhool Ka Phool’, ‘Dulhan’, ‘Bhabhi’, ‘Jab Jab Phool Khile’, ‘Gumnaam’, ‘Shor’, ‘Parineeta’, and ‘Prem Rog’ was one of the highest paid actresses of her time. She was the second highest paid Hindi actress along-with Nutan from 1960–1965 and second highest paid Hindi actress in 1966–1969 along-with Nutan and Waheeda and third highest paid Hindi actress with Sadhana from 1970–1973.

Get the Medium app

A button that says 'Download on the App Store', and if clicked it will lead you to the iOS App store
A button that says 'Get it on, Google Play', and if clicked it will lead you to the Google Play store