Remembering famous lyricist Anjaan on his 20th death anniversary.

Anjaan (24 October 1929–13 September 1997) was the nom-de-plume of Lalji Pandey, the Hindi movie lyricist famous for songs such as “Khaike Paan Banaraswala” from Don and “Rote Hue Aate Hain Sab” from Muqaddar Ka Sikandar.

Anjaan, a native of Varanasi, often used the Bhojpuri dialect of Hindi in his lyrics. His sonSameer Anjaan is also a famous lyricist.

Anjaan got his first break with the 1953 Premnath production Prisoner Of Golconda where he wrote “Lehar Yeh Dole Koyal Bole” and “Shaheedon Amar Hai Tumhari Kahani”. After this he remained fairly busy, but in small films. His only popular number was “Mat Poonch Mera Hai Mera Kaun Watan” (Lambe Haath) with music by G. S. Kohli, with whom he did many small films. He was first noticed for his work with the Raaj Kumar film Godaan, based on the Premchand classic, with music by Ravi Shankar. This film got him a few good assignments in the mid — 60’s with big composers like O. P. Nayyar (“Aap Ke Haseen Rukh”) in Guru Dutt’s Baharen Phir Bhi Aayengi and G. P. Sippy’s Bandhan, which established him commercially with “Bina Badraa Ke Bijuriya Kaise Barse”. This also saw the forging with fellow lyricist Indeevar and composers Kalyanji-Anandji. This was followed by songs in Kalyanji — Anandji’s Kab? Kyon? Aur Kahan?. Shankar — Jaikishan’s Umang, Rivaaj and Ek Nari Ek Brahmachari, Ravi’s Vandana (“Aap Ki Inaayat Aap Ke Karam”), R. D. Burman’s Hungama (‘Wah Ri Kismat’, ‘Suraj Se Jo Kiran Ka Naata’ which was the first ever song filmed on Zeenat Aman) and a few other films.

And yet it took Anjaan many more years before he emerged as a very prolific writer who amalgamated a lot of his commercial songs with lyricism and poetry. He was at his best in the Amitabh Bachchan films of Kalyanji Anandji, beginning with Do Anjaane (“Luk Chhip Luk Chhip Jao Na”) in 1976.

Followed Hera Pheri (“Barson Purana Yeh Yaarana”), Khoon Pasina (“Title Song” and “Bani Rahe Jodi Raja Rani Ki”), Muqaddar Ka Sikandar (“Rote Hue Aate Hain Sab”, “O Saathi Re”, “Pyar Zindagi Hai”, “Dil To Hai Dil”), Don with his biggest hit of the career “Khaike Paan Banaras Wala”, (“Ee Hai Bambai Nagariya”, “Jiska Mujhe Tha Intezaar”), Lawaaris (“Jiska Koi Nahin”, “Kab Ke Bichhde”) and Jaadugar. He also wrote hits for Bachchan with other composers like Rajesh Roshan (Do Aur Do Paanch, Yaarana), Bappi Lahiri (Namak Halaal, Sharaabi) and R. D. Burman (Mahaan). His liaison with Prakash Mehra also yielded hits like Zindagi Ek Juaa, Dalaal and other films like Jwalamukhi, Ghunghroo, Mohabbat Ke Dushman, Muqaddar Ka Faisla, Imaandaar, Chameli Ki Shaadi and Himalay Se Ooncha.

In the 80’s, he even emerged as the writers of choice for Mithun Chakravarty’s films like Disco Dancer and Dance Dance and struck a gold mine in the films of Bappi Lahiri, Shibu Mitra and B. Subhash. Among his hits with them were the songs of Aandhi Toofan, Ilzaam, Aag Hi Aag, Paap Ki Duniya and Tarzan.

His work with others was almost schizophrenically different, with songs like R. D. Burman’s “Yeh Faasle Yeh Duriyan” (Zameen Aasman), “Laagi Lag Jaaye Logon” (Poonam / Anu Malik), “Ganga Mein Dooba” (Apne Rang Hazaar), ‘Meri Saanson Ko Jo’, “Na Jaane Kaise” and “Woh Woh Na Rahe” (Badaltey Rishtey, “Hamrahi Mere Humrahi” (Do Dilon Ki Daastaan), ‘Yashoda Ka Nandlala (Sanjog), ‘Sadiyan Beet Gayi’ (Triveni) and the beautiful songs of Eeshwar (all these films were with Laxmikant-Pyarelal showing a poetic vein). Another major hit was Anu Malik’s breakthrough film Ek Jaan Hain Hum.

His health suffered a major setback in the early 90’s, though he delivered hits with Zindagi Ek Juaa, Dalaal, Ghayal and the 1990 chartbuster “Gori Hain Kalaiyan” (Aaj Ka Arjun) and his last hit Shola Aur Shabnam (1992). His other films in the 90’s included Vishnu Devaa, Parakrami, Insaniyat, Police Aur Mujrim, First Love Letter, Aandhiyaan, Phool Bane Angaarey and others.

In the 60’s, Anjaan also wrote several non — films albums composed by Shyam Sagar and sung by Mohammad Rafi, Manna Dey and Suman Kalyanpur. Rafi’s song “Main Kab Gaata” was a big hit then. Anjaan also entered the world of Bhojpuri films with the massive hit Balam Pardesia in the late 70’s. The song “Gourki Patarki Re” became a rage and set the stage for many more films with a resurgent Chitragupta and laying the foundation for the personal — and later — professional liaison between their respective sons Sameer and Anand-Milind.

Anjaan was a very successful all — rounder for almost 20 years in Hindi films, but his poetry still had the colour of Bhojpuri language and the ethos and culture of Uttar Pradesh, the citadel of hindi. This is why, says Sameer. he could write “Khaike Paan”, “Bina Badra Ke Bijuriya” and similar songs with great skill. His own favourites were his songs from Apne Rang Hazaar and Badaltey Rishtey and “Maano To Main Ganga Maa Hoon Maano To Behta Paani” and “Chal Musafir” from Ganga Ki Saugandh. A few months before his death on 13 September 1997, his only book of poems, Ganga Tath Ka Banjara (A Gypsy from the Shores of the Ganges) was released at the hands of Amitabh Bachchan.

Like बॉलीवुड डायरेक्ट Bollywoodirect




Celebrating Cinema

Love podcasts or audiobooks? Learn on the go with our new app.

Recommended from Medium

Don’t forget to breathe.

50 Years On From The Beatles’ Final Album

Eminem & Snoop Dogg Share New Track and BAYC Themed Video:

Fuse Live Events Announces Super Bowl Super Bash, Houston TX.

Recent Decents #10 — Anonymous-Rap, Summer-Soul, Spoken-Punk

7 super interesting chord progressions in BTS’ songs

Fly Pirates: An Analysis of Paper Planes

1Action — Struggle Is Real (Official Video)

Get the Medium app

A button that says 'Download on the App Store', and if clicked it will lead you to the iOS App store
A button that says 'Get it on, Google Play', and if clicked it will lead you to the Google Play store


Celebrating Cinema

More from Medium

Entry 1: Rhetoric and the Patriarchal Race to Mars

Explanatory Content

Requiem for Me V1.0

Why “Masculinity” Is Not the Enemy