Saeed Akhtar Mirza
In a dark night top angle shot of the 1980 Hindi movie, Albert Pinto Ko Gussa Kyoon Aata Hai shows the protagonist, a…
“While picking up the stories he wanted to tell, Mirza was keen to capture the people lost in between the isles of power and the class differences.
His free-flowing camera penetrated ghettos, gullies, slums, tin-roofed houses, and into the mindscapes of grumpy individuals, and returned with the immortal spirits of survival.”
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